RECORDINGS
Identifieur interne : 000416 ( Main/Exploration ); précédent : 000415; suivant : 000417RECORDINGS
Auteurs : John MorehenSource :
- Early Music [ 0306-1078 ] ; 1990.
English descriptors
- Entity :
- pers : Charles Wells, David Hill, Mary Spnngfels, Matthew Locke, Nicholas Keen, Stephen Darlington, William Byrd.
- place : Doncaster, Dorchester, YORK, Yorkshire.
- Teeft :
- Acceptable range, Arcm classical harpsichord clavichord, Authenticity movement, Bright patina, Broad effect, Cantiones sacrae, Cardcarrying pedant, Cathedral choir, Certain feature, Certain other composer, Certain problem unresolved, Charles well jlearly woodwind, Christ church cathedral, Christ church cathedral choir, Class stamp classical organ, Classical period, Clear temporal change, Clef code, Compositional style, Consort, Consort feature, Courageous approach, Creative power, Credo text, Customary today, Dark tonecolour, David hill hyperion, David impressive account, Different kind, Different reason, Discreet organ accompaniment, Dorchester abbey, Double welcome, Doubtful nimbus record, Dramatic milieu trious pupil, Early music november, Early restoration year, English version, English violplaying tradition, Fair crop, Fice contrapuntal detail, Field consort music, Fine instrumentalist, First part, Full advantage, Further byrd motet, Gaudeamus omnes, Good choral blend, Guished teacher, Healthy barometer, High spot, High standard, Hilher, Hilher gical genre, Impeccable artistic integrity, Important matter, Impossible song, Individual section, Instrumental music, Instrumental prelude, Interpretation respect, John morehen expansiveness, Justorum ammae, Kit catalogue, Laeta chorea pede, Larger part, Latin sacred reverberant acoustic, Latin text, Laudate dommum, Laudate pueri nicholas keen, Less illus, Less interesting, Life thomas tallis, Liturgical experience, Locke, Locke consort, Locke consort globe, Lucis ante terminum, Manor road, Manus tuas, Many gramme, Marvellously wideranging, Mary spnngfels harmoma mundi, Mass movement, Mass ordinary, Mass propers, Matthew locke, Medieval performance, Minor sixth higher, Minor third higher, Minute long, Miscellaneous motet, Modal contrast, More careful, More viable, Motet, Much impression, Much more, Musical text, Musicologically sound, Newberry consort, Opening section, Other music winchester cathedral choir, Other respect, Part mass, Particular kind, Particular pride, Particular propers, Pcdalboard instrument, Performance practice, Performance style, Plainsong verse border, Polyphonic craft, Potential audience, Practical expediency, Prestel mailbox, Propers, Public taste, Rational approach, Record catalogue, Record company, Refreshing contrast, Rich legacy, Saint propers, Salutans hostia, Sattb texture, Scure one, Semitone higher, Semitone lower, Sense irrelevant, Serious challenge, Severall friend, Sharp key, Significant portion, Slight variation, Smooth transition, Song individu, Splendid hilher familiar composition, Stephen darlington, Stephen darlington early music november, Textural clarity, Timete dommum, Tonal variety, Transitional guitar lamel tower, Transposition, Tudor church music, Uniform downward transposition, Valid transposition, Valuable artistic legacy, Variable transposition, Vigorous counterpoint, Viol fantasia, Vital link, Vocal art chorus, Vocal work, Vsouth yorkshire, Wellknown mass ordinary, Wide range, Wide spectrum, William byrd, William byrd mass, Winchester cathedral record, Winchester college quinsters, Woodwind instrument specialist, Word such.
Url:
DOI: 10.1093/earlyj/XVIII.4.665
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<idno type="eISSN">1741-7260</idno>
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<imprint><publisher>Oxford University Press</publisher>
<date type="published">1990</date>
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<profileDesc><textClass><keywords scheme="Entity" type="pers" xml:lang="en"><term>Charles Wells</term>
<term>David Hill</term>
<term>Mary Spnngfels</term>
<term>Matthew Locke</term>
<term>Nicholas Keen</term>
<term>Stephen Darlington</term>
<term>William Byrd</term>
</keywords>
<keywords scheme="Entity" type="place" xml:lang="en"><term>Doncaster</term>
<term>Dorchester</term>
<term>YORK</term>
<term>Yorkshire</term>
</keywords>
<keywords scheme="Teeft" xml:lang="en"><term>Acceptable range</term>
<term>Arcm classical harpsichord clavichord</term>
<term>Authenticity movement</term>
<term>Bright patina</term>
<term>Broad effect</term>
<term>Cantiones sacrae</term>
<term>Cardcarrying pedant</term>
<term>Cathedral choir</term>
<term>Certain feature</term>
<term>Certain other composer</term>
<term>Certain problem unresolved</term>
<term>Charles well jlearly woodwind</term>
<term>Christ church cathedral</term>
<term>Christ church cathedral choir</term>
<term>Class stamp classical organ</term>
<term>Classical period</term>
<term>Clear temporal change</term>
<term>Clef code</term>
<term>Compositional style</term>
<term>Consort</term>
<term>Consort feature</term>
<term>Courageous approach</term>
<term>Creative power</term>
<term>Credo text</term>
<term>Customary today</term>
<term>Dark tonecolour</term>
<term>David hill hyperion</term>
<term>David impressive account</term>
<term>Different kind</term>
<term>Different reason</term>
<term>Discreet organ accompaniment</term>
<term>Dorchester abbey</term>
<term>Double welcome</term>
<term>Doubtful nimbus record</term>
<term>Dramatic milieu trious pupil</term>
<term>Early music november</term>
<term>Early restoration year</term>
<term>English version</term>
<term>English violplaying tradition</term>
<term>Fair crop</term>
<term>Fice contrapuntal detail</term>
<term>Field consort music</term>
<term>Fine instrumentalist</term>
<term>First part</term>
<term>Full advantage</term>
<term>Further byrd motet</term>
<term>Gaudeamus omnes</term>
<term>Good choral blend</term>
<term>Guished teacher</term>
<term>Healthy barometer</term>
<term>High spot</term>
<term>High standard</term>
<term>Hilher</term>
<term>Hilher gical genre</term>
<term>Impeccable artistic integrity</term>
<term>Important matter</term>
<term>Impossible song</term>
<term>Individual section</term>
<term>Instrumental music</term>
<term>Instrumental prelude</term>
<term>Interpretation respect</term>
<term>John morehen expansiveness</term>
<term>Justorum ammae</term>
<term>Kit catalogue</term>
<term>Laeta chorea pede</term>
<term>Larger part</term>
<term>Latin sacred reverberant acoustic</term>
<term>Latin text</term>
<term>Laudate dommum</term>
<term>Laudate pueri nicholas keen</term>
<term>Less illus</term>
<term>Less interesting</term>
<term>Life thomas tallis</term>
<term>Liturgical experience</term>
<term>Locke</term>
<term>Locke consort</term>
<term>Locke consort globe</term>
<term>Lucis ante terminum</term>
<term>Manor road</term>
<term>Manus tuas</term>
<term>Many gramme</term>
<term>Marvellously wideranging</term>
<term>Mary spnngfels harmoma mundi</term>
<term>Mass movement</term>
<term>Mass ordinary</term>
<term>Mass propers</term>
<term>Matthew locke</term>
<term>Medieval performance</term>
<term>Minor sixth higher</term>
<term>Minor third higher</term>
<term>Minute long</term>
<term>Miscellaneous motet</term>
<term>Modal contrast</term>
<term>More careful</term>
<term>More viable</term>
<term>Motet</term>
<term>Much impression</term>
<term>Much more</term>
<term>Musical text</term>
<term>Musicologically sound</term>
<term>Newberry consort</term>
<term>Opening section</term>
<term>Other music winchester cathedral choir</term>
<term>Other respect</term>
<term>Part mass</term>
<term>Particular kind</term>
<term>Particular pride</term>
<term>Particular propers</term>
<term>Pcdalboard instrument</term>
<term>Performance practice</term>
<term>Performance style</term>
<term>Plainsong verse border</term>
<term>Polyphonic craft</term>
<term>Potential audience</term>
<term>Practical expediency</term>
<term>Prestel mailbox</term>
<term>Propers</term>
<term>Public taste</term>
<term>Rational approach</term>
<term>Record catalogue</term>
<term>Record company</term>
<term>Refreshing contrast</term>
<term>Rich legacy</term>
<term>Saint propers</term>
<term>Salutans hostia</term>
<term>Sattb texture</term>
<term>Scure one</term>
<term>Semitone higher</term>
<term>Semitone lower</term>
<term>Sense irrelevant</term>
<term>Serious challenge</term>
<term>Severall friend</term>
<term>Sharp key</term>
<term>Significant portion</term>
<term>Slight variation</term>
<term>Smooth transition</term>
<term>Song individu</term>
<term>Splendid hilher familiar composition</term>
<term>Stephen darlington</term>
<term>Stephen darlington early music november</term>
<term>Textural clarity</term>
<term>Timete dommum</term>
<term>Tonal variety</term>
<term>Transitional guitar lamel tower</term>
<term>Transposition</term>
<term>Tudor church music</term>
<term>Uniform downward transposition</term>
<term>Valid transposition</term>
<term>Valuable artistic legacy</term>
<term>Variable transposition</term>
<term>Vigorous counterpoint</term>
<term>Viol fantasia</term>
<term>Vital link</term>
<term>Vocal art chorus</term>
<term>Vocal work</term>
<term>Vsouth yorkshire</term>
<term>Wellknown mass ordinary</term>
<term>Wide range</term>
<term>Wide spectrum</term>
<term>William byrd</term>
<term>William byrd mass</term>
<term>Winchester cathedral record</term>
<term>Winchester college quinsters</term>
<term>Woodwind instrument specialist</term>
<term>Word such</term>
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